Applications open for 2022 entry Apply now

About Dr Niamh Bhalla

Dr Niamh Bhalla is Course Leader & Assistant Professor in Art History at New College of the Humanities. Niamh came to NCH in 2018, having previously lectured and worked on research projects at The Courtauld Institute of Art and the Victoria and Albert Museum. She is the author of Experiencing the Last Judgement (Routledge, 2021).

Qualifications

PhD, History of Byzantine Art, The Courtauld Institute of Art (2014)

MA History of Classical and Byzantine Art, The Courtauld Institute of Art (2010)

BA History of Art/Theology, Trinity College Dublin (2009)

Dr Niamh Bhalla's Research

Niamh’s research focuses on themes such as space, memory, the body, gender and rhetoric in relation to the lived experience of late-classical and Byzantine imagery. She also works on the modern reception of Byzantium.

Selected Publications

Books

Bhalla, N. Experiencing the Last Judgement (Routledge, 2021)

Bhalla, N. & Kotoula, D. A Handbook to the Modern Reception of Byzantium (Routledge, 2024)

Journal Articles

Bhalla, N. ‘Containing the Uncontainable: Kinaesthetic Analogies and an Early Christian Box’, The Art Bulletin (Forthcoming, 2022)

Book Chapters

Bhalla, N. ‘Chapter 16: Ivory’, The Cambridge Encyclopaedia of the Art and Archaeology of Late Antiquity, O. Brandt, J. Magness & L. Rutgers (eds.) (Forthcoming, Cambridge University Press, 2022)

Bhalla, N. ‘Christian Ivories: containment, manipulation and the creation of meaning’, M. Ellison & M. E. Jensen, (eds.) The Routledge Handbook of Early Christian Art (Routledge, 2018)

Reviews

Bhalla, N., ‘Medieval Bodies: Life, Death and Art in the Middle Ages’, The Burlington Magazine (Nov, 2018)

Bhalla, N., ‘Egypt: Faith after the Pharaohs’, The Burlington Magazine (May, 2017)

Bhalla, N., ‘Mosaics of Thessaloniki: 4th-14th Century’ immediations 3:1 (2013)

Online Publications

Bhalla, N. ‘Modelling Euro-centricity? Revisiting Architectural Models in the Ottoman Empire‘, V&A Blog (November 2017)

Bhalla, N., ‘Sultan Han’, Crossing Frontiers: Christians, Muslims and their art in Eastern Anatolia and the Caucasus, website

Bhalla, N., ‘Jvari’, Crossing Frontiers: Christians, Muslims and their art in Eastern Anatolia and the Caucasus, website

Selection of Research Papers Given:

There is more to an Artwork than meets the Eye: The Impossibilities of a Purely Visual Literacy, The Bedford Square Festival (July 2019)

Anamnesis after Aristotle: Heart, Mind and Matter as the Receptacles of Memory in Byzantium, History Research Seminar, New College of the Humanities, March 2018

Picturing Heaven, Hell and Purgatory in the Later Middle Ages, The Courtauld Institute of Art (Jan 2016)

Picturing the Last Judgement in Byzantium: Time, Space and Orchestrated Experiences of Death, Newcastle University (May 2015)

Protective Letters and Prophylactic Names: The Image of the Last Judgement at Yilanli Kilise, University of Cambridge (Mar 2014)

Time, Space and Embodied Experience: Imagery in the Narthex of St Herakleidios at the Monastery St John Lampadistes, Cyprus, King’s College, London (Feb 2014)

Memory, Agency and the Last Judgement in Byzantium, Oxford University (Feb 2012)